在庫一掃 Best of 1990-2000 2888円 Best of 1990-2000 ミュージック スポーツ・カルチャー インストゥルメンタル 2888円 Best of 1990-2000 ミュージック スポーツ・カルチャー インストゥルメンタル 在庫一掃 Best of 1990-2000 of,2888円,ミュージック , スポーツ・カルチャー , インストゥルメンタル,hernan-cortes.com,1990-2000,Best,/inconcinnity1483276.html of,2888円,ミュージック , スポーツ・カルチャー , インストゥルメンタル,hernan-cortes.com,1990-2000,Best,/inconcinnity1483276.html

在庫一掃 Best of 新作 1990-2000

Best of 1990-2000

2888円

Best of 1990-2000

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It is thus far well established that Chris Spheeris, well-traveled Sedona resident and New Age heartthrob, creates his signature sound from the textures of romance, global exoticism, and heavy layers. More is nearly always more. More keyboards, more fancy guitar fretwork, more variance in tempo, rhythm, and emotional tenor. This is further evidenced by The Best of Chris Spheeris 1990-2000, which draws from the multi-instrumentalist's Higher Octave debut, Dancing with the Muse"span" (reissued in 2000), and moves forward. Spheeris himself chose the pieces for this retrospective and sandwiched them between two new compositions, a fanciful Celtic-inspired number called "Looking Back" and the surprisingly understated solo-piano composition "Rendezvous." Standouts are the Middle-Eastern flavored "Magaya" from Dancing with the Muse"span", the horn-accented "Field of Tears" from Desires of the Heart"span", and, most especially, the aforementioned "Rendezvous," which seems to take inspiration from "My Funny Valentine." Neither for purists nor lovers of subtlety, 1990-2000"span" is a good starting place for new Spheeris fans. --Paige La Grone

Best of 1990-2000

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